Showing posts with label e-ink. Show all posts
Showing posts with label e-ink. Show all posts

Wednesday, December 3, 2008

BoSacks Speaks Out: It's a Digital World Now


BoSacks Speaks Out: It's a Digital World Now
http://www.writersdigest.com/article/its-a-digital-world-now/
by Bob Sacks
Insiders Bob Sacks and Samir Husni square off in the magazine industry's hottest debate: Will print magazines survive-or even thrive-in the next century? Here's what Bob Sacks had to say.

Intro: Bob Sacks, better known as "BoSacks," is a 38-year veteran of the publishing industry whose e-newsletter, "Heard on the Web: Media Intelligence," reaches nearly 12,000 readers daily. Samir Husni, nicknamed "Mr. Magazine," holds a doctorate in journalism from the University of Missouri-Columbia and is the author of Launch Your Own Magazine: A Guide for Succeeding in Today's Marketplace. Sacks and Husni have lengthy publishing résumés. Both run private consulting firms primarily focused on magazines and media. Both are well-respected experts in the publishing world. And both have strong opinions on where the magazine industry is headed.

We asked BoSacks and Mr. Magazine to share their views and let you be the judge. Here are BoSacks thoughts on the future of magazines. . Click here (or the link at the end of the article) for Mr. Magazine's take.


A basic modern assumption is that things will be as they are, only more so-that is, that we'll still have the same needs, wants and desires as our forefathers, but we'll continually satisfy those needs faster and more efficiently.

Writer and publisher alert: The speed and efficiency of the future is here right now, and it's accelerating at an unprecedented and perhaps even uncomfortable rate. Because we're actually in it, sometimes we don't realize how far we've progressed into the future. But it's possible to recognize that change when we reflect on the past and look into our tedious recent and former methodologies.

Even if you went as far back as Johann Gutenberg, you couldn't find a more interesting and complex period in our industry than right now. Gutenberg created movable type and an industry was born-the rapid distribution of information as never before achieved, nor dreamed possible.

At the time, the growth of the printing press and the distribution of information were irresistible forces whose only combatants were ignorance and, to us, extremely limited technology. Of course, that limitation is only apparent with tremendous hindsight. The technology of those days was no less amazing than our reaching out to the stars or the World Wide Web. Remember, it took a single scribe more than a year to hand-copy a single book. And there were no "pre-flighting" and "spell checking" to make sure he got it right. But Gutenberg could turn out hundreds of books in a week, each one identical to the next. So, it's not hard to envision the exponential growth of ... well, everything. You no longer needed old wise men to learn from. You didn't even need to be an apprentice. You could learn anything and everything from a book. What Gutenberg actually achieved was the democratization of knowledge. Does that concept sound familiar?

From the time of Gutenberg 600 years ago, we've seen little change in our expertise except the speed with which we produce words, type them and print them on paper. But now the future portends to possibly eliminate the need for paper, and thus doom the otherwise noble process (and lucrative business model) of putting ink on paper. Is that important? Where does the importance really lie-in the creation of thoughts and words or the substrate on which they rest and are read?

In discussing the future of reading and publishing, electronic publishing is an unavoidable topic. I prefer to call the process Electronically Coordinated Information Distribution, or El-CID. It's clear that publishers must now consider themselves information distributors and be independent of a reliance on any single platform or substrate.

The reading of a book is the distribution of stored information, passed from one person to another. Could it be a book printed on dead trees? Yes. Could it be the same book delivered in electronic format? Yes. The point is that all the world's information is now available for immediate distribution in any format the reader requires.

Bernard Baruch once said, "A speculator is a man who observes the future and acts before it occurs." This seems like prudent advice for today's writers and publishers to ponder as we proceed into the future of publishing in the 21st century.

From a 20th-century perspective, one of the most wonderful things about magazines and books, apart from their content, is their amazing and convenient portability. You can read them anywhere, at any time, without a plug or an Internet connection. Simply put, magazines and books are easy to get and easy to read. With ink printed on paper you're usually provided with a crisp, high-contrast, highly reflective substrate. And because it reflects light evenly in all directions, you can read it at almost any angle. Not bad for 600-year-old technology.

On the other hand, a computer-be it a laptop or a desktop-is not so uncomplicated, not kind on the eyes and not nearly as convenient. But it can store as much information as the Library of Alexandria and can instantly summon text or images from deep within its memory or from the Web.

There's a new product called e-paper that combines the best of the new and the old media through the use of thin, lightweight and flexible displays that simulate traditional paper while providing the immediacy and versatility of a computer screen. A company called E Ink has already commercialized a large-scale version of its electronic paper technology for use in products such as the Amazon Kindle and the Sony Reader, and as screens in PDAs, cell phones and pagers.

These displays perform just as paper does and can be read under the same light conditions as paper. There's no backlight to e-paper like a traditional computer screen-it works on reflective light. You can read e-paper wherever you can read traditional paper, and it's serving as the substrate for electronic books, magazines and newspapers, the content of which can be stored, updated and changed wirelessly. The power requirements are meager, because the voltage only needs to be applied once to change an image. So, in the example of an electronic book or magazine, power would be needed only when downloading new text onto the plastic pages. Thereafter, the text could be carried around and read anywhere without using a power source until you change to the next page.

Many researchers and corporations are in hot pursuit of this new vision of El-CID, and they've already produced and sold millions of products. As this technology matures, the results of their efforts could conceivably and permanently change the face of publishing and reading.

Information distribution (formally known as publishing) is no longer just about the paper, and it's not about your computer browser, either. It's about getting all the information anywhere, anytime, on any substrate and any platform. Are we headed toward a totally paperless society? No, not quite yet and perhaps not completely in our lifetimes, but that doesn't mean we can rest on our laurels. It's a digital world now, and the digits aren't going to go away.

There is a revolution brewing and the change is us. The speed and accuracy of information distribution increases every day and we like that. The portability, costs and flexibility of the electronics improve everyday. What we want and what we will have is an easy-to-read, flexible device that that can go anywhere, be read anywhere, and have all the bells and whistles of a computer-driven web-connected cozy book or magazine. You want comfort and style. You shall have it. You want the joy of a cozy plush reading experience. You shall have it. You want to tap on that unknown word and pull up the dictionary, you shall have it. You want to check the author's references or see pictures of the settings in the book you are reading. You shall have it.

There is nothing wrong with paper, but there will come a time in the very near future when we will wonder what all the fuss was about.

Tuesday, July 29, 2008

BoSacks Speaks Out: Why Esquire Mag is your Future?


BoSacks Speaks Out: Why Esquire Mag is your Future?

BoSacks Speaks Out: Please, let's not all get crazy at the same time. So many people are over-reacting to the announcement that Esquire is using e-ink on their cover that I almost don't know where to begin. But almost isn't don't know.

First and foremost, this is a clever magazine cover gimmick for a 75th anniversary cover. Period, end of story, except for all the brouhaha. They deserve to do something special. And e-ink is going to be something special. In this case it is underutilizing the power and the possibilities of e-ink, but what the heck? You have to start somewhere. And this year our industry starts here on the cover of Esquire with a flexible, magazine-bindable production of e-ink.

We as an industry have been inserting and on-serting for generations. Believe me I know, as I was partly responsible for the AOL onslaught of on-serting and inserting first fragile plastic diskettes and then CD's into magazines. The computer and music sectors have been doing this for years. The women's service groups have inserted hundreds of items including such nutty ideas as shampoo samples which in the course of palatalizing squished and squeezed the samples all over the printer's bindery floor. So ease off on the condemnation that gimmicks are something new or distasteful.

And the same thing is true for the carbon footprint. Why is Esquire being singled out?
I'm the first to admit that we have been reckless as an industry when it comes to carbon foot-printing and inefficiencies, but to single out a single publisher . . . . pure and absolute rubbish. Anyone who is starting to condemn a single gimmick in a single magazine doesn't know the industry, the history, nor the true story of magazine sales and magazine production.

E-ink or e-paper is special, in fact it is very special, and it is an integral part of the future of the magazine business. If we are going to have a big future at all, it is going to be digital. We will combine the ease of use of digital editions of magazines with the portability of brilliantly colored WiFi connected epaper, with a drastically lower carbon footprint than today and dramatically reduced manufacturing costs. What's not to like? What part don't we understand?
Publishers sell words and thoughts, not paper and printing? For those who need to hear me say it again, printing ink on paper is not going to go away; it is also not going to be the dominant distribution vehicle of information.
BoSacks
-30-


Esquire's Granger: Magazine Medium 'So Compelling We All Should Do More with It'
Editor responds to news of flashing anniversary cover.
Jason Fell
www.FolioMag.com

Since the report last week about Esquire's flashy e-paper October anniversary cover-and our follow-up on the technology behind it-I've been hearing/reading a lot of negative opinions about it.

One Web site called it obnoxious. Rex Hammock said it was "the worst use of technology by a magazine." Fast Company, in a blog post, estimated that the manufacturing process increases the issue's carbon footprint by 16 percent over other typical print publications. But, if you ask Esquire editor-in-chief David Granger, the technology could help revolutionize the way we read magazines, beyond the printed page and online.

"When I talk to groups I sometimes speak about the days I had when I'd get the new issue of Esquire and go through it and think to myself, 'Fuck, it's still a magazine,'" Granger said in a recent interview with FOLIO:. "What I mean is that the medium is so compelling that I and we should all be able to do more with it. The magazine experience is one of the last remaining opportunities to enter a hermetically-sealed world, an edited experience of our culture created by someone else. And, more importantly, it's an experience that encourages you to stay in it rather than constantly bounce in and out of it.

"We have an amazing medium, print, and if we can enhance the experience of it by putting new technology to use, then all the better," he said.

Bob Sacks, an industry consultant and frequent proponent of technology, says that Esquire's flashy cover may be a small step overall but offers a glimpse of what's to come in the next few years.

"It's not a representation of what e-paper was designed for, but doing the cover is the right thing to do," Sacks says. "It will be a demonstration of what it can be used for. In the near future we all will have flexible e-paper readers in our pocket and will be able to access all the magazine and books you want."

Right now, the technology is expensive and, if you believe Fast Company, not very green. Granger says that, with time, he hopes the technology will become cheaper. Maybe, after some refining, the application will become more realistic and environmentally-friendly, too.

----------------------------------------------------

The Real Cost of E-Ink
posted by Anya Kamenetz
http://www.fastcompany.com/blog/anya-kamenetz/green-friday/real-cost-e-ink


An article in the New York Times earlier this week described an effort by the legendary print magazine Esquire to make "a nod to the digital age" by using something called E Ink on its cover. That's pretty much what it sounds like: electronic ink, so the cover can blink like a Times Square billboard, as opposed to a staid old highway billboard.


One problem: Did anyone stop to consider the environmental implications? Check out this description of the process, from the Times article:


The batteries and the display case are manufactured and put together in China. They are shipped to Texas and on to Mexico, where the device is inserted by hand into each magazine. The issues will then be shipped via trucks, which will be refrigerated to preserve the batteries, to the magazine's distributor in Glazer, Ky.
Editor David Granger described it as "a 21st-century technology" combined with "a 19th-century manufacturing process." Can't argue with the second part, at least. The article goes on to note that this process is expensive, and hence requires sponsorship from a Ford SUV (not exactly a 21st-century technology itself). But what about the other cost . . . the carbon one? Some back-of-the-envelope calculations show it's not small, and Ford's not picking up the tab.


Let's start at the beginning. According to the article, "The batteries and the display case are manufactured and put together in China." The manufacturing phase is the biggest question mark in the life cycle of any product. According to life cycle analysis by Nokia, the manufacturing phase, alone, of another battery-powered electronic device, their 3G phones, is responsible for 12.3 KG of CO2 equivalent per unit. Granted, the E Ink display is a lot simpler and uses much less material than a cell phone, so let's say the carbon footprint is one-tenth as much-1.2 KG per user. That would be 135 tons of CO2 for the entire run of 100,000 devices.
Next, the devices will be shipped to Texas. According to E-Ink, a comparable prototype device weighs about 150 grams (5.3 ounces). According to the calculator on ShipGreen.net, shipping 100,000 of those overseas from Shanghai to Houston is worth another 2.6 tons -189 tons if they for some reason chose air freight.

From there, the little magic doohickeys will make their way to a Mexican maquiladora (where the work conditions are certain to be just lovely-ditto the Chinese factory) to be inserted by hand into the magazine covers (1.28 tons from Houston to Monterrey, Mexico), and from there, the completed issues, about one-third heavier than normal, will travel about 1,400 miles to the magazine's distribution center in Kentucky (11 more tons). Oh, and because of the delicacy of the electronics, they'll have to travel in refrigerated trucks. Certain kinds of refrigeration units can consume a half gallon of fuel per operating hour - that's an additional 10 gallons for that 20 hour trip-per truck. So for 5 trucks (let's say), the refrigeration adds about another half a ton. Then the blinking magazines go to their final destinations.

So . . . the total outlay in greenhouse gas emissions for this little experiment-again, this is based on loose estimates-comes to 150 tons of CO2 equivalent, similar to the output of 15 Hummers or 20 average Americans for an entire year, and a 16% increase over the carbon footprint of a typical print publication (based on calculations by Discover Magazine, Time, and In Style). The potential environmental impact of the E Ink covers increases even more when you consider that the units are designed to be disposable after one use and they'll make it more difficult or impossible to recycle the paper portion of the magazines.
Maybe Esquire should go back to the drawing board for a truly forward-looking concept of the possibilities of print. Fast Company would be glad to advise them on where to go to get printed on 100% recycled paper

Tuesday, May 1, 2007

Bosacks Speaks Out: The Future of Publishing Revisited

Bosacks Speaks Out: The Future of Publishing Revisited
www.bosacks.com

The second item in the following news story is about ebooks. And that leads me to ezines. Have any of you tried www.Zinio.com or www.Newsstand.com?

They are similar in nature and both pretty damn good. I have a preference, but that is not worth the telling here. Both represent a piece of the future of publishing. My future? No, your future.


I highly recommend that all publishing professionals check out both sites. Check it out and use it, at least once. Come on, you can do it. The first one is free. You will be doing yourself and your career a favor. To me they represent a fair guess at how we may slowly switch from a dead tree information distribution system to an all-electronic one. If you can use your imagination and slip epaper or eink into this forecast, then you've really got something. The future of publishing is right here. Are you ready for it? There are some major and some minor magazines already on track here. Both consumer titles and BtoB titles are available, not to mention the newspapers.

Here is my prediction. In five years - OK shoot me if it is ten - we will all have a sheet or set of sheets that are composed of flexible epaper. This will be foldable like a newspaper or magazine and fully downloadable from one publisher or many publishers. In one set of epapers, you can have your favorite morning newspapers, magazines and books. When you are done, you erase it, or save it, for the next download. Electronic memory will be inexhaustible and so will be the power source. It will be part of a wifi-of-the-day network, meaning that anywhere you are - and I mean anywhere - you can get updates, new editions, or the local movie schedule of any town you just happen to be in.

This will happen whether you like it or not. Whether you are prepared or not. We as a publishing industry will use less paper. Paper will not go away, nor will print editions. But publishers will use less paper. That will be an adjustment for printers, circulators, mailers and production people; in fact the entire process will be different. The only ones that I can see escaping the job transformation gambit will be the keyboardists. That would be the writers, editors, proofreaders and the like. Those that capture the "word" are almost unchanged. Those that distribute the "word" are forever altered in what they do and how they do it.

This is just one man's opinion, but I know I'm close to correct. Not exactly, because the real future and it's coexisting technology is unknowable. But I am damn close, of that I am sure.


BoSacks
-30-

Have You Started Planning for E-Paper?

Have You Started Planning for E-Paper?
By Bob Sacks
Publishing Executive Magazine
http://www.printmediamag.com/doc/28808071312222 4.bsp


“Human subtlety will never devise an invention more beautiful, more simple or more direct than does nature because in her inventions nothing is lacking, and nothing is superfluous.”

Leonardo da Vinci (Italian draftsman, Painter, Sculptor, Architect and Engineer whose genius epitomized the Renaissance humanist ideal. 1452- 1519)



Sometimes I think our industry tries to predict the future by looking at the past and assumes that if its holds its collective breath long enough, the conditions will remain constant. This is like driving a car by looking in the rear-view mirror. Where you have been is not necessarily a good predictor of where you are going. But it can be enlightening, if you know where to look.

Let's, for a paragraph or two, intentionally look in the rear-view mirror. In the 1970s, magazines were still setting type using hot lead. In the early 1980s, long- run magazines were still printing with letterpresses— the same letterpress technology Gutenberg invented 500 years ago. In the 1990s, we learned to make digital plates that gave us unheard of speed and accuracy. Now, in the 21st century, we have adapted into an entirely new phase of publishing, exploring new and more effective ways of distributing information in the digital universe.

We now have the ability to deliver information to multiple platforms in an instant and on a global basis. We no longer consider ourselves publishers, printers, journalists and media professionals; we are information distributors. Well, at least those that are going to survive think that way.

New information delivery methods, combined with the potential for customization, promise to level the playing field for the industry's established players.

E-paper 'Ready for prime time'
One of the most exciting developments in the delivery of our franchised content is e-paper. What is e-paper? Or, perhaps I should start with, what is it not? It is not an electronic simulation of a magazine. It is not downloaded facsimiles of printed magazines, although that is an offshoot of what e-paper can produce.

E-paper is essentially a tool, a new technology for an age old format. To the publishing community, it will provide an electronic substrate that can be connected to the Internet and acts as a direct alternative to traditional paper. It's not a replacement for all paper, but much that is printed today could be reproduced by e-paper.

E-paper, in general, uses thin, lightweight displays that simulate the form and flexibility of traditional paper while providing the immediacy of a computer screen. It is a thin layer of transparent plastic that contains millions of small microcapsules randomly dispersed. When a voltage is applied to the sheet's surface, the microcapsules move to present one side to the viewer according to the polarity of the charge. So, in order to display text, microcapsules targeted to serve as the "ink" would move to the top of the sheet.

Importantly, the beads do not require a constant voltage to hold their position. Electronic ink allows a fixed image to remain on the screen even after the power source is shut off.

Companies are developing mass-production techniques for these materials that would allow them to be manufactured inexpensively in a variety of shapes and sizes. For example, Plastic Logic Ltd. (www.PlasticLogic .com) is investigating locations for a large-scale manufacturing plant for its flexible- plastic electronics displays. A director of the company says it's "ready for prime time."

Many of the devices we take for granted today, such as handheld computers, digital cameras and color printers, were once in the realm of science fiction. E- paper is not science fiction.

Is this in your business plan?

When e-paper is finally perfected will it mean the death of the printing press? Not by any means. But it will mean the end to the status quo and the creation of yet another parallel universe in the digital information age.

The future of publishing is actually something we create with our minds, our technologies, our will and our unique business plans.